Склянка

Аналогіi: 1.Beaker. Late 13th century. Mamluk period. Glass. H: 29.5 W: 17.2 D: 17.2 cm. Syria. Purchase F1948.14 http://www.asia.si.edu/collections/islamic_highlights.asp 2. Beaker. Date: 1260-1277 (made). Place: Egypt. Artist/maker: Unknown.Gilded and enamelled glass http://collections.vam.ac.uk/style/mamluk/90/ 3. Beaker. Syria, late 13th-early 14th century. Glass, free-blown and decorated with vitreous enamels. H 20.3 cm. 57.61.14 Met.Mus.of Art // Islamische Kunst... стор. 154-155. /Історія Атрибуціi: 1. Вязьмітіна М. «МКІ», 1930. Сирія, кін. 13 ст. 2. Іванов А.А. (Ерм., 1960). Сирія, 13-14 ст. /Кількість: 1/Побутування/творiв такого типу: Enameled glass vessels were one of the most sought-after luxury items of medieval Syria and Egypt, avidly collected by wealthy patrons throughout the Islamic world and beyond. A technical virtuosity, enameled glass was created by outlining the decorative elements with red enamel and filling them in with white, blue, green, yellow and other colors. Much like the process for luster-painted ceramics, the enamel was applied cold and fixed to the surface by firing the vessel again at a low temperature. Enameled and gilded glass developed in the twelfth century in the Syrian area and flourished during the final decades of Ayyubid power and the first of Mamluk domination in the thirteenth century. As Cairo became the capital of the empire in the fourteenth century, most enameled and gilded glass from that time may be attributed to Egyptian, rather than Syrian, workshops. The late fourteenth century saw a decline in production; by the early fifteenth century, dwindling patronage eventually caused workshops to close. Enameled and gilded glass is the best known and historically most treasured type of Islamic glass. The production of such glass was the specialty of the regions controlled by the Ayyubids and the Mamluks (present-day Egypt and Syria) in the thirteenth and fourteenth centuries. In this decorative technique, gold and/or enamels (powdered opaque glass) were applied to a glass surface using an oil-based medium and a brush or a reed pen. Because gilt and individual enamel colors have different specific chemical qualities, different temperatures are required to permanently fix them on glass. Applying colors one at a time and individually fixing them would subject a vessel to reheating several times and entail the risk of deforming its shape; thus, it is likely that Mamluk glassmakers mastered a procedure in which they applied all the colors at once and fixed them during a single firing in the kiln without having them run into one another. Source: Enameled and Gilded Glass from Islamic Lands | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art Source: Enameled and Gilded Glass from Islamic Lands | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art

Розміри: h - 17,5. низ - 4,5. угорі - 8. об'єм - 12,5/Розміри (англ.): h - 17,5. низ - 4,5. угорі - 8. об'єм - 12,5/Розміри (русск.): h - 17,5. низ - 4,5. угорі - 8. об'єм - 12,5

Документи переміщення - Дата документа: 2021-12-25 00:00:00/NAMEDOC: Акт про приймання предметів на МВЗ/Дополнение: експонування в постійній експозиції музею/Дополнение: Корпачова Л.Т./Дополнение: Крамарева О.А.

Закладка “Атрибуція” - Наим. предмета, издания: Склянка/Змiн. час створення: 13-14 ст.місце створення, школа: СиріяНовый материал: склоПериод: Доба Айюбідів чи МамлюківИзм. техника: розпис емалевими фарбами

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