| ID_BAS |
4812
|
| TIPO |
4
|
| FOND |
24
|
| NFOND |
Мистецтво Близ. Сходу
|
| TXRAN |
1
|
| NTXRAN |
Основний фонд
|
| INVNOM |
156-БВ МХ
|
| SHIFR |
21
|
| INV1 |
156
|
| DEFWD |
Таз кований, з пласким дном.
|
| CREAT |
XIV ст.
|
| CREAT1 |
1301
|
| CREAT2 |
1400
|
| SIZES |
17 х 61 х 40
|
| WAY |
з зібрання Б. І. та В. Н. Ханенків
|
| COLPR |
1
|
| SAFS |
Тріщині, у кількох місцях латки.
|
| ATRIB |
1. Крачковська В. «Мус.искусств…»,1926. Типи облич монгольські. 13 ст.
2. Вязьмітіна М. «МКІ», 1930. Персія, 14 ст.
3. Гюзальян Л.Т. (Ерм., 1953). Іран-Месопотамія, 14 ст.
4. Іванов А.А. (Ерм., 1960) Іран, 14 ст.
5. Кильчевская Э.В. (Москва, 1978). 14-15 вв.
|
| STATUS |
1
|
| MESTIT |
Іран
|
| ALLNAMES |
156-БВ МХ. Таз кований, з пласким дном.
|
| FOND_TXRAN |
24&1
|
| ANALOG |
1. Western Iran. Brass inlaid with silver and gold, champlevé engraving. H. 5 1/8 in. (13 cm), Diam. 20 1/2 in. (51.1 cm)
Edward C. Moore Collection, Bequest of Edward C. Moore, 1891 (91.1.521)
http://www.metmuseum.org/toah/works-of-art/91.1.521
|
| NEW_CREAT |
перша половина 14 ст.
|
| NEW_CREAT1 |
1301
|
| NEW_CREAT2 |
1400
|
| NEW_DEFWD |
Таз
|
| POBUTOV |
Large basins for ablution that have a crenellated rim are based on eastern Iranian prototypes of the late twelfth and early thirteenth centuries. The best examples, with lavishly inlaid and detailed decoration such as those shown here, seem to have been limited to the Ilkhanid period. Figural scenes illustrating courtly life under the Ilkhanids, indicated by their Mongol robes and headdresses, are common on these basins. Typically, the interior is lavishly ornamented whereas the exterior walls are plain or simply engraved, thus demonstrating that the decoration was enjoyed mostly when these basins were in use.
Inlaid metalwork was highly prized and costly. The gold and silver inlays (91.1.521) that were gently hammered in the indentations carved in the bronze or brass surface have mostly disappeared, but it is still possible to appreciate the technical and artistic skills of the craftsmen who found inspiration in the new visual language brought by the Mongols. The best artists from Mosul in northern Iraq and Shiraz in southern Iran—two famous centers for metalwork—probably moved to the capital, Tabriz, to work for the court.
Genghis Khan’s grandson Hülegü (died 1265) subdued Iran in 1256 and conquered Baghdad, the capital of the cAbbasid caliphate, in 1258. Hülegü's dynasty—the Ilkhanids, or Lesser Khans—ruled this area, called Greater Iran, until about 1353. After their rapid gain of power in the Muslim world, the Mongol Ilkhanids nominally reported to the Great Khan of the Yuan dynasty in China, and in the process imported Chinese models to better define their tastes. However, the new rulers were greatly impressed by the long-established traditions of Iran, with its prosperous urban centers and thriving economy, and they quickly assimilated the local culture. The Mongol influence on Iranian and Islamic culture gave birth to an extraordinary period in Islamic art that combined well-established traditions with the new visual language transmitted from eastern Asia...
|