| ID_BAS |
4849
|
| TIPO |
4
|
| FOND |
24
|
| NFOND |
Мистецтво Близ. Сходу
|
| TXRAN |
1
|
| NTXRAN |
Основний фонд
|
| INVNOM |
133-БВ МХ
|
| SHIFR |
21
|
| INV1 |
133
|
| DEFWD |
Кахель прямокутний.
|
| CREAT |
XVIII-XIX ст.
|
| CREAT1 |
1701
|
| CREAT2 |
1900
|
| SIZES |
19 х 12,5
|
| WAY |
з зібрання Б. І. та В. Н. Ханенків
|
| COLPR |
1
|
| SAFS |
Задовільний.
|
| ATRIB |
1. Вязьмітіна М. «МКІ», 1930. Персія, 18-19 ст.
2. Гюзальян Л.Т. (Ерм., 1953). Іран, к. 18-19 ст.
3. Іванов А.А. (Ерм., 1966). Іран, 1 пол. 19 ст.
|
| STATUS |
1
|
| MESTIT |
Іран
|
| ALLNAMES |
133-БВ МХ. Кахель прямокутний.
|
| FOND_TXRAN |
24&1
|
| ANALOG |
1. Майже повна: A QAJAR MOULDED TILE, IRAN, 19TH CENTURY
http://www.christies.com/lotfinder/lot_details.aspx?intObjectID=5125985
2. Майже повна:
A QAJAR MOULDED TILE WITH FALCONER, IRAN, 19TH CENTURY
http://www.christies.com/LotFinder/lot_details.aspx?intObjectID=4979124
3. Qajar Tile, Iran 19th century
http://www.amirmohtashemi.com/art/main.php?g2_itemId=607
4.
http://www.trocadero.com/stores/galeriehafner/items/1040329/item1040329.html
5.
http://www.hermitagemuseum.org/fcgi-bin/db2www/descrPage.mac/descrPage?selLang=Russian&indexClass=UTENSIL_RU&PID=%5CLVG-1638&numView=1&ID_NUM=14&thumbFile=%2Ftmplobs%2FBZP_23_40MI1CJWD4MSX6.jpg&embViewVer=last&comeFrom=quick&sorting=no&thumbId=6&numResults=485&tmCond=%D8%E0%D0%DD&searchIndex=TAGFILRU&author=
6. Изразец. Фаянс, рельеф, подглазурная полихромная роспись, роспись люстром. 19 в. ГМИНВ // Масленицына, 1975... № 48
|
| NEW_CREAT |
19 ст.
|
| NEW_CREAT1 |
1791
|
| NEW_CREAT2 |
1810
|
| NEW_DEFWD |
Кахель
|
| POBUTOV |
Of rectangular form, painted under a clear glaze with cobalt blue, green and manganese, featuring a rider in green robes, a falcon on his right wrist, leading a white horse across a landscape, the raised upper band decorated with birds on scrolling flowers
http://www.metmuseum.org/toah/works-of-art/83.1.67:
Rectangular underglaze tiles were commonly made in nineteenth-century Iran to decorate the upper borders of architectural interiors in a continuous frieze. Production of these tiles was centered mainly in the Qajar capital of Tehran. The underglaze technique of painting, applied on either a flat surface or molded in relief, facilitated the creation of scenes reminiscent of painting on paper and constitutes one of the distinguishing characteristics of Qajar tilework. In this tile, a young man on horseback is depicted against a lush landscape background.
The technique used is of painting in polychrome mineral pigments under a transparent alkaline glaze on a hard white composite paste.
|