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Аналогіi: 1.http://www.telegraph.co.uk/culture/art/artsales/6487999/Art-Market-News.html/Історія Атрибуціi: 1. Вязьмітіна М. «МКІ», 1930. Персія, 18-19 ст.
2. Гюзальян Л.Т. (Ерм., 1953). Іран, к. 18-19 ст.
3. Іванов А.А. (Ерм., 1966). Іран, 1 пол. 19 ст.
/Кількість: 1/Побутування/творiв такого типу: Of rectangular form, painted under a clear glaze with cobalt blue, green and manganese, featuring a rider in green robes, a falcon on his right wrist, leading a white horse across a landscape, the raised upper band decorated with birds on scrolling flowers
http://www.metmuseum.org/toah/works-of-art/83.1.67:
Rectangular underglaze tiles were commonly made in nineteenth-century Iran to decorate the upper borders of architectural interiors in a continuous frieze. Production of these tiles was centered mainly in the Qajar capital of Tehran. The underglaze technique of painting, applied on either a flat surface or molded in relief, facilitated the creation of scenes reminiscent of painting on paper and constitutes one of the distinguishing characteristics of Qajar tilework. In this tile, a young man on horseback is depicted against a lush landscape background.
Used as part of a decorative ensemble in a princely mansion or palace, this tile represents the high level of technical skill that ceramic artists achieved during the Qajar period.
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Закладка “Атрибуція” - Наим. предмета, издания: Кахель/Змiн. час створення: 19 ст.місце створення, школа: ІранНовый материал: фаянсПериод: доба КаджарівИзм. техника: лиття у формуИзм. техника: поліхромний розпис під прозорою поливою