| ID_BAS |
4869
|
| TIPO |
4
|
| FOND |
24
|
| NFOND |
Мистецтво Близ. Сходу
|
| TXRAN |
1
|
| NTXRAN |
Основний фонд
|
| INVNOM |
15-БВ МХ
|
| SHIFR |
21
|
| INV1 |
15
|
| DEFWD |
Кахель квадратної форми.
|
| CREAT |
XVI ст.
|
| CREAT1 |
1501
|
| CREAT2 |
1600
|
| SIZES |
26 х 23,5
|
| WAY |
з зібрання Б. І. та В. Н. Ханенків
|
| COLPR |
1
|
| SAFS |
Розбитий на чотири фрагменти
|
| COMPNAM |
Вся поверхня кахля заповнена орнаментом (вмонтований в одну раму з № 16)
|
| ATRIB |
1.Вязьмітіна М.В. МКІ, 1930. Туреччина, 16 ст.
2. Міллер Ю.А. (Ермітаж, ст.н.с. відділу Сходу, к.іст.н.), 1961. Туреччина, Дамаск, кін.16 - поч. 17 ст. (Консультація з наукової картки)
|
| LEGENDA |
Науковий архів НММХ. Од.зб.22, оп.1, спра34/4: куплено в Парижі
|
| STATUS |
1
|
| MESTIT |
Туреччина
|
| ALLNAMES |
15-БВ МХ. Кахель квадратної форми.
|
| FOND_TXRAN |
24&1
|
| ANALOG |
1. № 16 БВ, МХ
2. Повна: http://www.christies.com/LotFinder/LotDetailsPrintable.aspx?intObjectID=5422157
A DAMASCUS POTTERY TILE. OTTOMAN SYRIA, CIRCA 1600.
3. AN OTTOMAN IZNIK STYLE TILE, DAMASCUS, 17TH CENTURY
http://www.christies.com/LotFinder/lot_details.aspx?intObjectID=4979115
|
| SIZES_E |
26 х 23,5
|
| SIZES_RUS |
26 х 23,5
|
| NEW_CREAT |
кін. XVI - поч.XVII ст.
|
| NEW_CREAT1 |
1591
|
| NEW_CREAT2 |
1610
|
| NEW_DEFWD |
Кахель
|
| POBUTOV |
"Damascus ware" Editar sección
The so-called "Damascus ware" was popular under Suleiman the Magnificent from 1540 to 1550. They use for the first time green and purple, in addition to cobalt blue and turquoise, and form a transition towards full-fledged polychrome ceramics.[4] There were again mistakenly labeled "Damascus" after some were found in Damascus, Syria, but were later understood to be derived from Iznik
Iznik is also where another misnamed group of ceramics known as Damascus ware was manufactured. These ceramics are dated to around the middle of the 16th century. The forerunner of the style is said to be a lamp in the Dome of the Rock that is dated 1549 and bears the signature 'Musli'. In this object we find a new palette of colors incorporating, in addition to the traditional cobalt blue and turquoise, eggplant violet and a cumin green. During this period, naturalistic such as tulips, roses, pomegranates and hyacinths begin to enrich the repertoire of stylized plant motifs and arabesques. During the second half of the 16th century, the transition to polychrome wares took place. The only examples of Damascus-ware architectural tiles that are known are those in the Mosque of Hadim Ibrahim Pasa (Silivrikapi, 1551) and in the Yeni Kaplica spa in Bursa (1552-3). / "The Art of Turkish Tiles And Ceramics", Associate Professor Dr. Sitare Turan Bakir
Mimar Sinan University / http://www.turkishtileart.com/english/history_of_turkish_tile_art.htm
|