| ID_BAS |
4882
|
| TIPO |
4
|
| FOND |
24
|
| NFOND |
Мистецтво Близ. Сходу
|
| TXRAN |
1
|
| NTXRAN |
Основний фонд
|
| INVNOM |
11-БВ МХ
|
| SHIFR |
21
|
| INV1 |
11
|
| DEFWD |
Тарілка глибока на кільцевій ніжці, з дещо нахиленим бортом
|
| CREAT |
XV-XVI ст.
|
| CREAT1 |
1401
|
| CREAT2 |
1600
|
| SIZES |
Д = 35
|
| WAY |
з зібрання Б. І. та В. Н. Ханенків
|
| COLPR |
1
|
| SAFS |
Багато тріщин. Тарілка підклеєна папером.
|
| LEGENDA |
Ранние блюда без борта роспись делит на две зоны: центр и периферию. Геометрический центр блюд является и композиционной доминантой. В росписи блюд с отогнутым бортом подчёркивается деление на центральную часть, стенку и край. Часто стенка свободна от росписи и служит композиционной паузой . Поздние изделия, напротив, обычно украшает роспись, общая для стенок и борта, нейтрализующая перелом формы. (Шликова с.48) - можливо, ознака ранішого виробництва тареля.
Изделия, в декоре которых используются изображения S-образно изогнутых деревьев с гроздевидными кронами довольно многочисленны, что позволяет выделить их в отдельную группу. Для росписи этих изделий характерно сочетание подчёркнуто асимметричного построения композиции и уравновешенности, достигнутой сбалансированным распределением изобразительных элементов на плоскости предмета. (Шликова, с. 67)
http://www.iranicaonline.org/articles/ceramics-xv
The motifs and designs are Persian in origin and owe little to Chinese imports (see, e.g., Lane, pp. 79-81, pls. 53B-56).
|
| STATUS |
1
|
| MESTIT |
Туреччина(?)
|
| ALLNAMES |
11-БВ МХ. Тарілка глибока на кільцевій ніжці, з дещо нахиленим бортом
|
| FOND_TXRAN |
24&1
|
| ANALOG |
http://islamic-arts.org/2011/smithsonian-museums-ceramic-collection/
|
| POBUTOV |
Kubachi wares are named after a small village located in the Caucasus in the Daghestan republic of Russia, in which several of them were found in the second half of the twentieth century. Kubachi, however, does not have a history of pottery production; it is more likely that such ceramics were produced in north-western Iran. While Kubachi vessels display a range in decorative schemes, this large dish falls into the group produced in the early seventeenth century under the reign of the Safavid Shah 'Abbas I (r. 1587-1629 CE) (Welch 1973, p. 58). The subject matter - a youth in a spotted blue coat and red turban - represents an idealized portrait commonly depicted on ceramic surfaces and single page compositions during this time. The figure appears against a colourful background of flowers in red, gold, green and dark blue, and the portrait is framed by two circular bands, the outer one being the rim of each plate and including a condensed scallop design.
http://www.cais-soas.com/CAIS/Art/iranian_pottery.htm:
The third, and perhaps the most important group, of these Kubachi wares is the polychromepainted. The designs appear in blue, brownish-red, yellow and green under clear glaze. In the decoration some Ottoman influence, i.e. the influence of Iznik wares is apparent, as is Chinese influence. Portraits of ladies and gentlemen are painted on these dishes against floral or simple scroll backgrounds. Others depict landscapes or just flowers. Apart from large dishes, small bowls, dishes and jugs are also known in these types.
http://jameelcentre.ashmolean.org/collection/6/653/664:
‘Kubachi ware' is a particular type of polychrome ware produced from the second half of the 16th century, possibly in north-western Iran, and named after the village in Dagestan where numerous examples were found in the 19th century. Their use of colour and approach to vegetal decoration indicates some contact with ceramics produced in Turkey in the 16th and 17th century. On the other hand,...
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